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Sometimes simpler is better. The spelling of those two syllables has become a hotly contested issue among diehard films of the franchise. In , he told Gun Media that the sounds are actually ki and ma. Inspired by the consonant-heavy Polish scores he was studying at the time, Manfredini decided to reduce the words kill and mommy down to two syllables. The reverb distorted the sounds, which is perhaps why people hear the syllables a little differently.
Friday the 13th has one of the most recognizable scores in horror movie history. Scores play a key role in all films but some could argue that they serve an even extra purpose in horror movies. The first Friday the 13th score was composed by Harry Manfredini. Like John Carpenter with Halloween , Manfredini wanted a simple, yet impactful, tune. He decided from the early stages to only use music when the killer was on-screen. In the case of 's Friday the 13th , the killer was Jason's mother, Mrs. Manfredini also purposefully cut out the music during tense scenes as a way to relax the audience before the killer would strike. The repetitive sound used for the Friday the 13th franchise is often identified as "cha, cha, cha" sound but that's not accurate. When Pamela Voorhees is revealed as the killer towards the end of the first movie, a message came through as she was losing her mind.